By Bethany Berkeley
Edward Crutchley's AW24 collection, unveiled during London Fashion Week, was a captivating exploration of historical influences, cultural mashups, and character-driven design.
Held in the atmospheric Ironmongers Hall, the show transported viewers on a sartorial journey that defied categorisation. The collection opened with a distinctly Western vibe, featuring broad-shouldered coats with billowing sleeves and cowboy hats designed by Stephen Jones. Yet, Crutchley wasn't confined to a single source of inspiration. Byzantine tunics, Moroccan wall hangings, and even a portrait of Dionysus found their way onto the garments, creating a fascinating dialogue between eras and cultures.
True to Crutchley's gender-fluid approach, the show featured designs that transcended traditional categories. Tailored trousers were juxtaposed with flowing skirts, and sharp jackets softened with delicate embroidery. Each piece resonated with a distinct personality, inviting the wearer into a unique sartorial character.
The devil, as always, was in the details. Exquisite craftsmanship was evident in the intricate embroidery — which was achieved by AI-guided weaving— hand-dyed fabrics, and bespoke millinery. Each garment felt like a work of art, imbued with a sense of history.
Edward Crutchley's AW24 collection was a bold and multifaceted statement. By transcending time periods, cultural influences, and gender norms, Crutchley offered a truly unique and compelling vision for fashion.
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